Arri - Arri Master Anamorphic 75/T1.9 M
Arri K2.47961.0 - Arri Master Anamorphic 75/T1.9 M
168721
Arri Master Anamorphic 75/T1.9 M
Visuals Price
21,375.60 CHF
VAT excl.
23,107.02 CHF Inc. VAT
Made to order
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Delivery
- Shipped in 2 to 3 weeks
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In-store pickup
- Available in 2 to 3 weeks
Arri Master Anamorphic 75/T1.9 M
The ARRI Master Anamorphic lenses are the result of ARRI's long-term cooperation with Carl Zeiss. The new anamorphic lenses offer unique optical performance with optimised flares and bokeh, as well as a state-of-the-art lens mount that provides dust and water protection. The nine lenses in the Master Prime series offer exceptional image quality and the latest anamorphic technology for distortion-free images without anamorphic image pumping ("mumps" effects - face widening). The almost telecentric optical design reduces colour fringing and shading in image corners.
The Master Anamorphic lenses are the first anamorphic lenses designed from the ground up for modern digital cameras. Nevertheless, they work ideally with film cameras. In conjunction with ARRI's 4:3 ALEXA cameras for exceptional image quality across the entire frame. The Master Anamorphic lenses are optimised for an aesthetic look and feature evenly illuminated oval flares outside the focus area with no sharp edges thanks to the new 15-blade iris system.
With its nine powerful prime focal lengths, ARRI's Master Anamorphic series has taken a significant step forward in terms of technology and handling for recording anamorphic images with digital and film cameras in 35mm format.
For the first time, it has been possible to combine compactness, low weight, high speed, exceptional image quality and minimal distortion in an anamorphic series. The ARRI Master Anamorphics deliver beautiful blurred background areas and a soft, cinematic look, whilst being as fast and easy to use on set as other modern cinema lenses.
Features
- 75mm T1.9 prime lens with PL LDS mount
- Low distortion for true cinemascope
- Bokeh (blur behaviour) with cinema look featuring high contrast and pleasing transition to blur
- Beautiful skin tones and accurate colour rendering
- Typical of Cinemascope: In blur, highlights are reproduced in an oval shape
- Large image field for complete freedom in image composition
- Large T1.9 aperture for shallow depth of field
- Steel PLS LDS (Lens Data System) mount with communication interface
- ARRI Lens Data System (LDS) for lens metadata
- Almost no image pumping and no anamorphic image pumping (wide faces)
- Colour characteristics perfectly matched to other ARRI/ZEISS lenses and ARRI/Fujinon zooms
The ARRI Master Anamorphic lenses are the result of ARRI's long-term cooperation with Carl Zeiss. The new anamorphic lenses offer unique optical performance with optimised flares and bokeh, as well as a state-of-the-art lens mount that provides dust and water protection. The nine lenses in the Master Prime series offer exceptional image quality and the latest anamorphic technology for distortion-free images without anamorphic image pumping ("mumps" effects - face widening). The almost telecentric optical design reduces colour fringing and shading in image corners.
The Master Anamorphic lenses are the first anamorphic lenses designed from the ground up for modern digital cameras. Nevertheless, they work ideally with film cameras. In conjunction with ARRI's 4:3 ALEXA cameras for exceptional image quality across the entire frame. The Master Anamorphic lenses are optimised for an aesthetic look and feature evenly illuminated oval flares outside the focus area with no sharp edges thanks to the new 15-blade iris system.
With its nine powerful prime focal lengths, ARRI's Master Anamorphic series has taken a significant step forward in terms of technology and handling for recording anamorphic images with digital and film cameras in 35mm format.
For the first time, it has been possible to combine compactness, low weight, high speed, exceptional image quality and minimal distortion in an anamorphic series. The ARRI Master Anamorphics deliver beautiful blurred background areas and a soft, cinematic look, whilst being as fast and easy to use on set as other modern cinema lenses.
Features
- 75mm T1.9 prime lens with PL LDS mount
- Low distortion for true cinemascope
- Bokeh (blur behaviour) with cinema look featuring high contrast and pleasing transition to blur
- Beautiful skin tones and accurate colour rendering
- Typical of Cinemascope: In blur, highlights are reproduced in an oval shape
- Large image field for complete freedom in image composition
- Large T1.9 aperture for shallow depth of field
- Steel PLS LDS (Lens Data System) mount with communication interface
- ARRI Lens Data System (LDS) for lens metadata
- Almost no image pumping and no anamorphic image pumping (wide faces)
- Colour characteristics perfectly matched to other ARRI/ZEISS lenses and ARRI/Fujinon zooms
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Specifications |
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Lens Mount |
PL LDS |
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Coverage |
T1.9 - T22 |
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Close Focus Limit |
0.90 m |
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Magnification Ratio |
H: 1:19.6 |
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Length (from mount to front of lens housing) |
183 mm |
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Length (from image to front of lens housing) |
235 mm |
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Front Diameter (lens) |
95 mm |
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Maximum Lens Body Diameter |
114 mm |
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Weight |
2.6 kg |
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Entrance Pupil (mm) |
-137 |
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Field of View (HV) |
33° - 14° |
Arri Master Anamorphic 75/T1.9 M
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