Arri - Arri Master Anamorphic 100/T1.9 M
Arri K2.47962.0 - Arri Master Anamorphic 100/T1.9 M
168722
Arri Master Anamorphic 100/T1.9 M
PRICE ON REQUEST
Made to order
-
Delivery
- Shipped in 2 to 3 weeks
-
In-store pickup
- Available in 2 to 3 weeks
Arri Master Anamorphic 100/T1.9 M
The ARRI Master Anamorphic lenses are the result of ARRI's long-term cooperation with Carl Zeiss. The new anamorphic lenses offer unique optical performance with optimised flares and bokeh as well as a state-of-the-art lens mount that provides protection against dust and water. The nine lenses in the Master Prime series (available in 28, 35, 40, 50, 60, 75, 100, 135 and 180mm) offer exceptional image quality and the latest anamorphic technology for distortion-free images without anamorphic image breathing (the "mumps" effect - face widening). The almost telecentric optical design reduces colour fringing and shading in the corners of images.
The Master Anamorphic lenses are the first anamorphic lenses designed from the ground up for modern digital cameras. Nevertheless, they work ideally with analogue cameras. In combination with ARRI's ALEXA 4:3 cameras for exceptional image quality across the entire frame. The Master Anamorphic lenses are optimised for an aesthetic look and feature uniformly illuminated oval flares outside the focus area without sharp edges thanks to the new 15-blade iris system.
With its nine powerful prime lenses, ARRI's Master Anamorphic series has made a significant step forward in terms of technology and handling for recording anamorphic images with digital and film cameras in 35mm format.
For the first time, it has been possible to combine compactness, low weight, high speed, exceptional image quality and minimal distortion in an anamorphic series. The ARRI Master Anamorphics deliver beautiful background blur and a soft, cinematic look, whilst being as fast and easy to use on set as other modern cinema lenses.
Features
- 100mm T1.9 prime lens with PL LDS mount
- Low distortion for true cinemascope
- Bokeh (blur behaviour) with a cinematic look featuring high contrast and a pleasing transition to blur
- Beautiful skin tones and accurate colour rendering
- Typical of Cinemascope: In the blur, highlights are reproduced as ovals
- Large image field for complete freedom in composition
- Wide T1.9 aperture for shallow depth of field
- Steel PLS LDS (Lens Data System) mount with communication interface
- ARRI Lens Data System (LDS) for lens metadata
- Almost no image breathing and no anamorphic image breathing (wide faces)
- Colour characteristics perfectly matched to other ARRI/ZEISS prime lenses and ARRI/Fujinon zooms
The ARRI Master Anamorphic lenses are the result of ARRI's long-term cooperation with Carl Zeiss. The new anamorphic lenses offer unique optical performance with optimised flares and bokeh as well as a state-of-the-art lens mount that provides protection against dust and water. The nine lenses in the Master Prime series (available in 28, 35, 40, 50, 60, 75, 100, 135 and 180mm) offer exceptional image quality and the latest anamorphic technology for distortion-free images without anamorphic image breathing (the "mumps" effect - face widening). The almost telecentric optical design reduces colour fringing and shading in the corners of images.
The Master Anamorphic lenses are the first anamorphic lenses designed from the ground up for modern digital cameras. Nevertheless, they work ideally with analogue cameras. In combination with ARRI's ALEXA 4:3 cameras for exceptional image quality across the entire frame. The Master Anamorphic lenses are optimised for an aesthetic look and feature uniformly illuminated oval flares outside the focus area without sharp edges thanks to the new 15-blade iris system.
With its nine powerful prime lenses, ARRI's Master Anamorphic series has made a significant step forward in terms of technology and handling for recording anamorphic images with digital and film cameras in 35mm format.
For the first time, it has been possible to combine compactness, low weight, high speed, exceptional image quality and minimal distortion in an anamorphic series. The ARRI Master Anamorphics deliver beautiful background blur and a soft, cinematic look, whilst being as fast and easy to use on set as other modern cinema lenses.
Features
- 100mm T1.9 prime lens with PL LDS mount
- Low distortion for true cinemascope
- Bokeh (blur behaviour) with a cinematic look featuring high contrast and a pleasing transition to blur
- Beautiful skin tones and accurate colour rendering
- Typical of Cinemascope: In the blur, highlights are reproduced as ovals
- Large image field for complete freedom in composition
- Wide T1.9 aperture for shallow depth of field
- Steel PLS LDS (Lens Data System) mount with communication interface
- ARRI Lens Data System (LDS) for lens metadata
- Almost no image breathing and no anamorphic image breathing (wide faces)
- Colour characteristics perfectly matched to other ARRI/ZEISS prime lenses and ARRI/Fujinon zooms
|
|
Specifications |
|
|
Lens mount |
PL LDS |
|
|
coverage |
T1.9 - T22 |
|
|
Close focus limit |
0.95 m |
|
|
Magnification ratio |
H: 1:14.7 |
|
|
Length (mount to front of lens housing) |
210 mm |
|
|
Length (image to front of lens housing) |
262 mm |
|
|
Front diameter (lens) |
95 mm |
|
|
Maximum lens body diameter |
114 mm |
|
|
Weight |
3.1 kg |
|
|
Entrance pupil (mm) |
-146 |
|
|
Field of view (HV) |
25° - 11° |
Arri Master Anamorphic 100/T1.9 M
Loading...