477.08 CHF Excl. VAT
515.73 CHF Inc. VAT
Panasonic - Panasonic DC-GH6E Body black
Panasonic DC-GH6E - Panasonic DC-GH6E Body black
1052091
5025232920921
DSLM Micro Four Thirds Interchangeable Lens Camera
Visuals Price
2,311.75 CHF
VAT excl.
2,499.00 CHF Inc. VAT
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Panasonic Lumix GH6 Mirrorless Camera
A pioneer of the Micro Four Thirds class, the Panasonic Lumix GH6 Mirrorless Camera is a compact powerhouse that challenges full-frame rivals, a mighty hybrid addition to the video-oriented GH series that delivers cutting-edge technology to filmmakers and photographers. Enhanced processing power from the Venus engine enables fast sensor readouts for internal recording in 5.7K 30p in Apple ProRes 422 HQ, FHD 300p, and 100MP handheld photos. The GH6 properly exposes over 13 stops, features built-in sensor-shift stabilisation, and can be integrated with VariCam footage using its preinstalled V-log image profile. Panasonic has created a high-end compact camera that professionals can choose for photography, as a primary tool for independent cinema, or as an additional angle on film productions.
High-end imaging platform
High-Resolution 25MP Sensor, 5.7K Video
Completely redesigned, this sensor improves upon its GH series predecessors with new silicon technology and new software. It offers improved dynamic range of over 13 stops despite the reduction in cell size due to the increased number of pixels on the Micro Four Thirds sensor. Use a CFexpress Type B card to record 5.7K Apple Pro Res 422 HQ internally, or the SD slot to capture 4K120p 10-bit footage. The ability to record high bitrates and unlimited recording time sets this camera apart from all its predecessors.
For maximum sharpness, the sensor is not hampered by a low-pass filter; it smooths any moiré through the intelligent detail processing of its updated Venus processor. Building on its next-generation image stabilisation, this camera synthesises eight distinct images into a single 100MP image - all without requiring a tripod.
Ultra-Fast Sensor Readout
The Venus engine has twice the power of previous generations, enabling continuous shooting at 75fps or slow-motion footage at variable frame rate (VFR) at 300fps. Fast sensor readout by the Venus engine limits rolling shutter distortion to keep skyscrapers vertical when shooting from a car action mount or to capture slow-motion footage of fast-moving objects.
Stabilisation: Internal, Sensor Shift
- Internal 5-axis sensor-shift image stabilisation is achieved through a high-precision gyroscope and stabilisation algorithm. At all focal lengths, this stabilisation technology provides 7.5 stops of deviation from the shutter speed dictated by the reciprocity rule.
- Its built-in sensor-shift technology works perfectly with the optical stabilisation of Panasonic lenses. Electronic stabilisation is available for those who accept the slight crop it requires. Boost I.S. mode is the most extreme form of electronic stabilisation, simulating tripod shooting.
AF & AE Highlights
- Autofocus processing speed has been tripled, powering the 315-zone contrast detection system with DFD (Depth from Defocus) technology. The updated algorithm calculates the distance of your subject and predicts whether it is moving towards or away from the camera, anticipating where it will be for the next image. It works by collecting data from multiple focal planes, then creating a real-time 3D depth map.
- The subject tracking focus system also supports face, eye, head, body, and animal recognition. Autofocus will automatically switch from body recognition to face then to eyes as the subject approaches the camera for better sharpness.
- Focus limiter, manual focus assist, and an improved joystick enable fast and accurate focusing. AF area lock is a less intrusive overlay, and face priority in multi-zone metering avoids unwanted exposure changes.
High-quality professional video at high bitrate
Unlimited Latitude
- 5.7K 30p recording is supported in high-quality Apple ProRes 422 HQ/ProRes 422 codecs for visually lossless, high-bitrate footage suitable for extensive manipulation in post-production.
- The GH6 supports unlimited recording up to DCI 4K at 60p with 4:2:2 10-bit sampling for impeccable detail and depth in colour grading.
Preserve Over 13 Stops of Detail
- Shooting in V-Log and V-Gamut will give you over 12 stops of dynamic range, which can be increased to over 13 stops by activating its dual analogue gain circuits with Dynamic Range Boost mode. One circuit using ISO 800 absorbs the richness of the visible spectrum whilst retaining highlight detail, and ISO 2000 captures black gradations with low noise in the shadows.
- The correctly exposed image is composed once passed through the dedicated image synthesis circuit. This makes it different from a dual native ISO design as you don't select one or the other ISO, but both work in tandem. Dynamic Range Boost mode is available for footage shot up to 60fps.
Unlimited Recording Times
Panasonic recognises the importance of shooting long clips and has designed the GH6 to have no maximum recording time. Extended takes such as interviews and live events can be recorded in their entirety, reducing synchronisation errors and simplifying data management. This is made possible by an active fan cooling design that dissipates heat from the sensor.
Intelligent Image Processing
3D noise reduction is achieved by comparing three sequential images, then automatically removing noise that appears in only one of the three images. Intelligent detail processing eliminates the need for a low-pass filter and smooths fine details such as hair and wires to minimise moiré patterns.
Flat Profile and Extended Colour Space
Edit seamlessly with VariCam cameras with accurate colour reproduction and subtle gradations from dark areas to highlights. V-log and Hybrid Log Gamma preserve maximum data, leaving your colourist with great latitude to shape the aesthetic with creative LUTs. The GH6 supports .CUBE and .VLT formats for real-time V-Log view assist to approximate the final rendering of your production.
Anamorphic Versatility
- Record in open gate with the 4:3 sensor for 5.8K 30p 4:2:0 10-bit and 4.4K 60p 4:2:0 10-bit video.
- Store up to 10 anamorphic lenses on the GH6 for quick changes and viewing-ready, de-squeezed footage. Images can be de-squeezed to cinemascope format. The magnification ratio is also selectable from 1.30x, 1.33x, 1.5x, 1.8x, or 2.0x.
- The anamorphic image stabiliser setting is ideal for use with an anamorphic lens. To correctly interpret visual information for stabilisation processing, select from 1.30x, 1.33x, 1.5x, 1.8x, or 2.0x according to the lens magnification.
Super Slow Motion
By shooting in high frame rate (HFR) 4K, you can increase your frame rate to 120p, or 1080p will give you 240p to play with. If you can do without an audio track, freeze time with super slow-motion variable frame rate (VFR) footage at 300fps in FHD 10-bit. Autofocus remains available to actively make changes during recording up to 200fps.
Instant Backup
Simultaneous internal and external recording via the HDMI port expands your redundancy and storage options, particularly useful when shooting live events over an hour. Record at resolutions up to DCI 4K in 17:9 with bit depths up to 4:2:2, 10-bit, and frame rates up to 60p, 50p, 30p, 25p, 24p.
High-Fidelity Sound
Enhanced audio features enable high-quality audio recording. The GH6 is always ready to capture 48 kHz 24-bit with the built-in microphone. Increase it to 96 kHz 24-bit with an external microphone. For interview recording with multiple microphones, the HDMI output will provide 4 channels of audio data.
Measuring Instruments and Assistants
- The waveform monitor, vectorscope, and spot luminance meter provide you with vital information about your levels.
- Time-lapse shooting for time-lapse videos is customisable for shooting and playback durations, with exposure smoothing.
- Focus transition, frame indicator, and frame marker enhance production and post-production workflow.
- The safety zone marker, vertical position information, centre marker options, and enlarged live view help keep your action properly oriented, centred, and sharp.
Firmware Updates
To meet customer needs as new technologies emerge, Panasonic plans to release the following firmware updates:
- DCI4K Apple ProRes 422 HQ / Apple ProRes 422
- FHD Apple ProRes 422 HQ / Apple ProRes 422
- Direct USB SSD recording
- HDMI 4K 120p video output during live view
- HDMI 4K 120p RAW video data output to ATOMOS Ninja V+
Photographic capabilities
Hybrid Power
Whilst Lumix is known for its exceptional video production, it excels as a hybrid camera with its 100MP photos, wide dynamic range, dual 7.5-stop image stabilisation, and continuous shooting up to 75fps with an electronic shutter.
100MP Photos
Image stabilisation technology enables the synthesis of 8 consecutive photos into a single high-resolution 100MP image without using a tripod. Dynamic Range Boost mode is automatically activated in all photo modes.
Sharp Details in Low Light
Detail is preserved and chromatic noise is reduced, even when shooting in low-light conditions requiring high ISOs. When conditions are less than ideal, 2D noise reduction gives your photos a more natural and three-dimensional quality.
Shutter Flexibility
Manually select from several shutter modes according to your needs: a mechanical shutter type, an electronic first curtain type, an electronic shutter type, an electronic shutter type with noise reduction after a slow-speed shot, or let the camera automatically change the shutter type based on conditions and shutter speed.
Fast Burst for Three Seconds
Achieve burst shooting at 75fps (AFS, electronic shutter) whilst maintaining 25.2 megapixels thanks to the GH6 sensor's faster readout speed and the superior processing power of the new Venus engine. The sensor's high readout speed reduces rolling shutter distortion. Shoot at 75fps with an electronic shutter and AFS or 14fps with a mechanical shutter and AFS. With AFC, you can shoot up to 8fps with a mechanical shutter or 7fps with an electronic shutter.
Ready to Share
- Multiple image profiles are included to save time in editing, including L. Classic Neo, a cinematic effect with soft and nostalgic colouring. L. Monochrome S is a black and white effect with a soft touch suitable for portraits. Cinelike modes have a cinematic finish using a gamma curve to favour dynamic range or contrast.
- For professional control, the flat V-Log profile is available when taking photos. Manually adjust contrast, saturation, and sharpness and save it under My Photo Style 1-10 for a detailed profile down to ISO and white balance.
Professional and reliable design
High-Definition LCD Screen
The 3.0-inch, 1.84 million-dot multi-angle LCD screen tilts towards the photographer, allowing high-angle and low-angle shots, as well as positions in tight angles that would otherwise be extremely difficult to frame and focus correctly. It offers high contrast, high brightness, and excellent visibility even in direct sunlight. Its intuitive design uses static touch control and features an improved locking mechanism for easier use.
Smart Viewfinder
The 3.68 million-dot OLED electronic viewfinder offers an equivalent magnification of 0.76x for bright and realistic eye-level control.
CFexpress Type B & SD
Dual card slots offer options depending on your recording bitrate. The CFexpress Type B slot is required to record higher bitrate formats such as Apple Pro Res 422 HQ and ALL-Intra 4:2:2 10-bit at 800 Mb/s. The SD slot records bitrates up to 600 Mb/s with high-performance SD UHS-II U3 Class 10 cards.
Warning: High Voltage
The GH6 uses a DMW-BLK22 lithium-ion battery and offers approximately 360 shots per charge.
Weather-Resistant Below Freezing
The GH6 body is designed to withstand precipitation and dust down to -10°C. Despite its weather-resistant design, heat dissipation is ensured by an electric fan, heat sink, and chassis that dissipates heat from the sensor, processor, and memory card.
Ergonomic Optimisation
- Spend less time rummaging through digital menus by using its two dials to find your preferred shooting mode. The camera design incorporates dedicated buttons for key functions such as the enlarged manual focus assist box and the audio information button for quick level adjustments.
- An additional video recording button on the front of the GH6 is more accessible when shoulder-mounted. The camera is designed to be as small and light as possible, increasing its compatibility with motorised stabilisers and commercial drones (sold separately).
Wireless & Remote Control
- To extend the flexibility of data transfers and remote control, wireless options are built into the design. 5GHz Wi-Fi and Bluetooth v5.0 enable the transfer of photos and footage to a mobile phone, which can then be transmitted to a news channel. Camera firmware updates can be carried out wirelessly via a smartphone.
- Remotely control up to 12 GH6 cameras via the LUMIX Tether application via USB. Adjust settings such as metering mode, recording quality, and focus mode, then transfer footage to the computer after recording. When preparing these cameras, save time and reduce errors by using the Lumix SYNC application to wirelessly match recording settings.
Inputs/Outputs
- This camera offers connection options to external devices. USB 3.2 Gen2 Type-C enables data transfers at 10 Gb/s, powers the camera, or charges the battery. The HDMI Type-A port transmits footage to an external recorder, or the flash shoe allows connection of an XLR extension device such as the DMW-XLR1 (sold separately).
- A 3.5 mm headphone jack is located on the side of the camera, above the 3.5 mm microphone jack. At the front of the camera, a flash sync socket also serves as a timecode input/output when using the included BNC converter cable.
High-end imaging platform
High-Resolution 25MP Sensor, 5.7K Video
Completely redesigned, this sensor improves upon its GH series predecessors with new silicon technology and new software. It offers improved dynamic range of over 13 stops despite the reduction in cell size due to the increased number of pixels on the Micro Four Thirds sensor. Use a CFexpress Type B card to record 5.7K Apple Pro Res 422 HQ internally, or the SD slot to capture 4K120p 10-bit footage. The ability to record high bitrates and unlimited recording time sets this camera apart from all its predecessors.
For maximum sharpness, the sensor is not hampered by a low-pass filter; it smooths any moiré through the intelligent detail processing of its updated Venus processor. Building on its next-generation image stabilisation, this camera synthesises eight distinct images into a single 100MP image - all without requiring a tripod.
Ultra-Fast Sensor Readout
The Venus engine has twice the power of previous generations, enabling continuous shooting at 75fps or slow-motion footage at variable frame rate (VFR) at 300fps. Fast sensor readout by the Venus engine limits rolling shutter distortion to keep skyscrapers vertical when shooting from a car action mount or to capture slow-motion footage of fast-moving objects.
Stabilisation: Internal, Sensor Shift
- Internal 5-axis sensor-shift image stabilisation is achieved through a high-precision gyroscope and stabilisation algorithm. At all focal lengths, this stabilisation technology provides 7.5 stops of deviation from the shutter speed dictated by the reciprocity rule.
- Its built-in sensor-shift technology works perfectly with the optical stabilisation of Panasonic lenses. Electronic stabilisation is available for those who accept the slight crop it requires. Boost I.S. mode is the most extreme form of electronic stabilisation, simulating tripod shooting.
AF & AE Highlights
- Autofocus processing speed has been tripled, powering the 315-zone contrast detection system with DFD (Depth from Defocus) technology. The updated algorithm calculates the distance of your subject and predicts whether it is moving towards or away from the camera, anticipating where it will be for the next image. It works by collecting data from multiple focal planes, then creating a real-time 3D depth map.
- The subject tracking focus system also supports face, eye, head, body, and animal recognition. Autofocus will automatically switch from body recognition to face then to eyes as the subject approaches the camera for better sharpness.
- Focus limiter, manual focus assist, and an improved joystick enable fast and accurate focusing. AF area lock is a less intrusive overlay, and face priority in multi-zone metering avoids unwanted exposure changes.
High-quality professional video at high bitrate
Unlimited Latitude
- 5.7K 30p recording is supported in high-quality Apple ProRes 422 HQ/ProRes 422 codecs for visually lossless, high-bitrate footage suitable for extensive manipulation in post-production.
- The GH6 supports unlimited recording up to DCI 4K at 60p with 4:2:2 10-bit sampling for impeccable detail and depth in colour grading.
Preserve Over 13 Stops of Detail
- Shooting in V-Log and V-Gamut will give you over 12 stops of dynamic range, which can be increased to over 13 stops by activating its dual analogue gain circuits with Dynamic Range Boost mode. One circuit using ISO 800 absorbs the richness of the visible spectrum whilst retaining highlight detail, and ISO 2000 captures black gradations with low noise in the shadows.
- The correctly exposed image is composed once passed through the dedicated image synthesis circuit. This makes it different from a dual native ISO design as you don't select one or the other ISO, but both work in tandem. Dynamic Range Boost mode is available for footage shot up to 60fps.
Unlimited Recording Times
Panasonic recognises the importance of shooting long clips and has designed the GH6 to have no maximum recording time. Extended takes such as interviews and live events can be recorded in their entirety, reducing synchronisation errors and simplifying data management. This is made possible by an active fan cooling design that dissipates heat from the sensor.
Intelligent Image Processing
3D noise reduction is achieved by comparing three sequential images, then automatically removing noise that appears in only one of the three images. Intelligent detail processing eliminates the need for a low-pass filter and smooths fine details such as hair and wires to minimise moiré patterns.
Flat Profile and Extended Colour Space
Edit seamlessly with VariCam cameras with accurate colour reproduction and subtle gradations from dark areas to highlights. V-log and Hybrid Log Gamma preserve maximum data, leaving your colourist with great latitude to shape the aesthetic with creative LUTs. The GH6 supports .CUBE and .VLT formats for real-time V-Log view assist to approximate the final rendering of your production.
Anamorphic Versatility
- Record in open gate with the 4:3 sensor for 5.8K 30p 4:2:0 10-bit and 4.4K 60p 4:2:0 10-bit video.
- Store up to 10 anamorphic lenses on the GH6 for quick changes and viewing-ready, de-squeezed footage. Images can be de-squeezed to cinemascope format. The magnification ratio is also selectable from 1.30x, 1.33x, 1.5x, 1.8x, or 2.0x.
- The anamorphic image stabiliser setting is ideal for use with an anamorphic lens. To correctly interpret visual information for stabilisation processing, select from 1.30x, 1.33x, 1.5x, 1.8x, or 2.0x according to the lens magnification.
Super Slow Motion
By shooting in high frame rate (HFR) 4K, you can increase your frame rate to 120p, or 1080p will give you 240p to play with. If you can do without an audio track, freeze time with super slow-motion variable frame rate (VFR) footage at 300fps in FHD 10-bit. Autofocus remains available to actively make changes during recording up to 200fps.
Instant Backup
Simultaneous internal and external recording via the HDMI port expands your redundancy and storage options, particularly useful when shooting live events over an hour. Record at resolutions up to DCI 4K in 17:9 with bit depths up to 4:2:2, 10-bit, and frame rates up to 60p, 50p, 30p, 25p, 24p.
High-Fidelity Sound
Enhanced audio features enable high-quality audio recording. The GH6 is always ready to capture 48 kHz 24-bit with the built-in microphone. Increase it to 96 kHz 24-bit with an external microphone. For interview recording with multiple microphones, the HDMI output will provide 4 channels of audio data.
Measuring Instruments and Assistants
- The waveform monitor, vectorscope, and spot luminance meter provide you with vital information about your levels.
- Time-lapse shooting for time-lapse videos is customisable for shooting and playback durations, with exposure smoothing.
- Focus transition, frame indicator, and frame marker enhance production and post-production workflow.
- The safety zone marker, vertical position information, centre marker options, and enlarged live view help keep your action properly oriented, centred, and sharp.
Firmware Updates
To meet customer needs as new technologies emerge, Panasonic plans to release the following firmware updates:
- DCI4K Apple ProRes 422 HQ / Apple ProRes 422
- FHD Apple ProRes 422 HQ / Apple ProRes 422
- Direct USB SSD recording
- HDMI 4K 120p video output during live view
- HDMI 4K 120p RAW video data output to ATOMOS Ninja V+
Photographic capabilities
Hybrid Power
Whilst Lumix is known for its exceptional video production, it excels as a hybrid camera with its 100MP photos, wide dynamic range, dual 7.5-stop image stabilisation, and continuous shooting up to 75fps with an electronic shutter.
100MP Photos
Image stabilisation technology enables the synthesis of 8 consecutive photos into a single high-resolution 100MP image without using a tripod. Dynamic Range Boost mode is automatically activated in all photo modes.
Sharp Details in Low Light
Detail is preserved and chromatic noise is reduced, even when shooting in low-light conditions requiring high ISOs. When conditions are less than ideal, 2D noise reduction gives your photos a more natural and three-dimensional quality.
Shutter Flexibility
Manually select from several shutter modes according to your needs: a mechanical shutter type, an electronic first curtain type, an electronic shutter type, an electronic shutter type with noise reduction after a slow-speed shot, or let the camera automatically change the shutter type based on conditions and shutter speed.
Fast Burst for Three Seconds
Achieve burst shooting at 75fps (AFS, electronic shutter) whilst maintaining 25.2 megapixels thanks to the GH6 sensor's faster readout speed and the superior processing power of the new Venus engine. The sensor's high readout speed reduces rolling shutter distortion. Shoot at 75fps with an electronic shutter and AFS or 14fps with a mechanical shutter and AFS. With AFC, you can shoot up to 8fps with a mechanical shutter or 7fps with an electronic shutter.
Ready to Share
- Multiple image profiles are included to save time in editing, including L. Classic Neo, a cinematic effect with soft and nostalgic colouring. L. Monochrome S is a black and white effect with a soft touch suitable for portraits. Cinelike modes have a cinematic finish using a gamma curve to favour dynamic range or contrast.
- For professional control, the flat V-Log profile is available when taking photos. Manually adjust contrast, saturation, and sharpness and save it under My Photo Style 1-10 for a detailed profile down to ISO and white balance.
Professional and reliable design
High-Definition LCD Screen
The 3.0-inch, 1.84 million-dot multi-angle LCD screen tilts towards the photographer, allowing high-angle and low-angle shots, as well as positions in tight angles that would otherwise be extremely difficult to frame and focus correctly. It offers high contrast, high brightness, and excellent visibility even in direct sunlight. Its intuitive design uses static touch control and features an improved locking mechanism for easier use.
Smart Viewfinder
The 3.68 million-dot OLED electronic viewfinder offers an equivalent magnification of 0.76x for bright and realistic eye-level control.
CFexpress Type B & SD
Dual card slots offer options depending on your recording bitrate. The CFexpress Type B slot is required to record higher bitrate formats such as Apple Pro Res 422 HQ and ALL-Intra 4:2:2 10-bit at 800 Mb/s. The SD slot records bitrates up to 600 Mb/s with high-performance SD UHS-II U3 Class 10 cards.
Warning: High Voltage
The GH6 uses a DMW-BLK22 lithium-ion battery and offers approximately 360 shots per charge.
Weather-Resistant Below Freezing
The GH6 body is designed to withstand precipitation and dust down to -10°C. Despite its weather-resistant design, heat dissipation is ensured by an electric fan, heat sink, and chassis that dissipates heat from the sensor, processor, and memory card.
Ergonomic Optimisation
- Spend less time rummaging through digital menus by using its two dials to find your preferred shooting mode. The camera design incorporates dedicated buttons for key functions such as the enlarged manual focus assist box and the audio information button for quick level adjustments.
- An additional video recording button on the front of the GH6 is more accessible when shoulder-mounted. The camera is designed to be as small and light as possible, increasing its compatibility with motorised stabilisers and commercial drones (sold separately).
Wireless & Remote Control
- To extend the flexibility of data transfers and remote control, wireless options are built into the design. 5GHz Wi-Fi and Bluetooth v5.0 enable the transfer of photos and footage to a mobile phone, which can then be transmitted to a news channel. Camera firmware updates can be carried out wirelessly via a smartphone.
- Remotely control up to 12 GH6 cameras via the LUMIX Tether application via USB. Adjust settings such as metering mode, recording quality, and focus mode, then transfer footage to the computer after recording. When preparing these cameras, save time and reduce errors by using the Lumix SYNC application to wirelessly match recording settings.
Inputs/Outputs
- This camera offers connection options to external devices. USB 3.2 Gen2 Type-C enables data transfers at 10 Gb/s, powers the camera, or charges the battery. The HDMI Type-A port transmits footage to an external recorder, or the flash shoe allows connection of an XLR extension device such as the DMW-XLR1 (sold separately).
- A 3.5 mm headphone jack is located on the side of the camera, above the 3.5 mm microphone jack. At the front of the camera, a flash sync socket also serves as a timecode input/output when using the included BNC converter cable.
|
|
Features |
|
| Imaging | ||
| Lens mount | Micro Four Thirds | |
| Sensor type | 17.3 x 13 mm (Four Thirds) MOS | |
| Sensor resolution | Actual: 26.52 megapixels Effective: 25.2 megapixels (5776 x 4336) |
|
| Crop factor | 2x | |
| Image format | 1:1, 3:2, 4:3, 16:9 | |
| Image file format | JPEG, Raw | |
| Bit depth | 10-bit | |
| Image stabilisation | Sensor shift, 5-axis | |
| Exposure control | ||
| Shutter speed | Electronic first curtain shutter 1/2000 to 60 seconds Up to 30 minutes in Bulb mode Electronic shutter 1/32000 to 1 second up to 60 seconds in Bulb mode 1/25000 to 1/8 second in video mode |
|
| Metering mode | Centre-weighted average, Highlight weighted, Multi, Spot | |
| Exposure modes | Aperture Priority, Manual, Programme, Shutter Priority | |
| Exposure compensation | -5 to +5 EV (1/3 EV increments) | |
| Metering range | 0 to 18 EV | |
| Continuous shooting | Mechanical shutter Up to 14fps for up to 65 images (Raw) / 95 images (JPEG) Electronic shutter Up to 75fps for up to 200 images (Raw) / 200 images (JPEG) |
|
| Time-lapse recording | Yes | |
| Self-timer | 2/3/10 second delay | |
| Video | ||
| Recording modes | H.264/MOV/MPEG-4 AVC/ProRes 422 HQ 4:2:2 10-bit 5728 x 3024 at 29.97fps [1900 Mb/s] 5728 x 3024 at 23.98fps/24.00fps [1500 Mb/s] 5728 x 3024 at 25fps [1600 Mb/s] H.264/MOV/MPEG-4 AVC/ProRes 422 4:2:2 10-bit 5728 x 3024 at 29.97fps [1300 Mb/s] 5728 x 3024 at 25fps [1100 Mb/s] 5728 x 3024 at 23.98fps/24.00fps [1000 Mb/s] H.264 ALL-Intra/MOV 4:2:2 10-bit 4096 x 2160 at 47.95fps/50fps/59.94fps [600 to 800 Mb/s] 4096 x 2160 at 23.98fps/24.00fps/25fps/29.97fps [400 Mb/s] 3840 x 2160 at 47.95fps/50fps/59.94fps [600 to 800 Mb/s] 3840 x 2160 at 23.98fps/24.00fps/25fps/29.97fps [400 Mb/s] 1920 x 1080 at 200fps/239.76fps [800 Mb/s] 1920 x 1080 at 100fps/119.88fps [400 Mb/s] 1920 x 1980 at 23.98fps/24.00fps/25fps/29.97fps/47.95fps/50fps/59.94fps [200 Mb/s] 1920 x 1080 at 50fps/59.94fps [100 Mb/s] H.264 Long GOP/MOV/MPEG-4 AVC 4:2:2 10-bit 4096 x 2160 at 50fps/59.94fps [200 Mb/s] 4096 x 2160 at 47.95fps [200 Mb/s] 4096 x 2160 at 23.98fps/24.00fps/25fps/29.97fps [150 Mb/s] 3840 x 2160 at 47.95fps/50fps/59.94fps [200 Mb/s] 3840 x 2160 at 23.98fps/24.00fps/25fps/29.97fps [150 Mb/s] 1920 x 1080 at 200fps/239.76fps [200 Mb/s] 1920 x 1080 at 100fps/119.88fps [150 Mb/s] 1920 x 1080 at 23.98fps/24.00fps/25fps/29.97fps/47.95fps/50fps/59.94fps [100 Mb/s] 1920 x 1080 at 59.94fps [50 Mb/s] H.265 Long GOP/MOV 4:2:0 10-bit 5760 x 4320 at 23.98fps/24.00fps/25fps/29.97fps [200 Mb/s] 5728 x 3024 at 47.95fps/48.00fps/50fps/59.94fps [300 Mb/s] 5728 x 3024 at 23.98fps/24.00fps/25fps/29.97fps [200 Mb/s] 4352 x 3264 at 47.95fps/48.00fps/50fps/59.94fps [300 Mb/s] 4096 x 2160 at 100fps/119.88fps [300 Mb/s] 4096 x 2160 at 47.95fps/50fps/59.94fps [200 Mb/s] 4096 x 2160 at 23.98fps/24.00fps/25fps/29.97fps [150 Mb/s] 3840 x 2160 at 100fps/119.88fps [300 Mb/s] 3840 x 2160 at 47.95fps/50fps/59.94fps [200 Mb/s] 3840 x 2160 at 23.98fps/24.00fps/25fps/29.97fps [150 Mb/s] 3840 x 2160 at 23.98fps/25fps/29.97fps/50fps/59.94fps [100 Mb/s] 3840 x 2160 at 23.98fps/25fps/29.97fps [72 Mb/s] 1920 x 1080 at 200fps/239.76fps [200 Mb/s] 1920 x 1080 at 100fps/119.88fps [150 Mb/s] 1920 x 1080 at 23.98fps/24.00fps/25fps/29.97fps/47.95fps/50fps/59.94fps [100 Mb/s] 1920 x 1080 at 50fps/59.94fps [28 Mb/s] 1920 x 1080 at 25fps/29.97fps [20 Mb/s] 1920 x 1080 at 23.98fps [24 Mb/s] |
|
| External recording modes | 4:2:2 10-bit via HDMI DCI 4K (4096 x 2160) at 50fps/59.94fps UHD 4K (3840 x 2160) at 50fps/59.94fps |
|
| Recording limit | Unlimited for DCI 4K (4096 x 2160) at 59.94fps (4:2:2 10-bit) | |
| Focus | ||
| Focus type | Autofocus and manual | |
| Focus mode | Auto, AF-C, AF area lock, Manual Focus, AF-S, Touch AF and shutter | |
| Autofocus points | Photo, Video Contrast detection: 315 |
|
| Viewfinder | ||
| Type | Built-in electronic (OLED) | |
| Resolution | 3,680,000 dots | |
| Eye relief | 21 mm | |
| Magnification | Approximately 100x | |
| Dioptre adjustment | -4 to +3 | |
| Screen | ||
| Dimensions | 3" | |
| Resolution | 1,840,000 dots | |
| Screen type | Tilting multi-angle touchscreen LCD | |
| Flash | ||
| Built-in flash | No | |
| Maximum sync speed | 1/250 second | |
| Flash compensation | -3 to +3 EV (1/3 EV steps) | |
| Dedicated flash system | TTL | |
| External flash connection | Flash shoe | |
| Interface | ||
| Memory card slot | Slot 1: CFexpress Type B Slot 2: SD/SDHC (UHS-II) [U3/V30 or faster recommended] |
|
| Environment | ||
| Operating temperature | -10 to 40°C / 14 to 104°F | |
| Storage humidity | 10 to 80% | |
| Physical characteristics | ||
| Battery type | 1 x DMW-BLK22 Rechargeable lithium-ion, 7.2 VDC, 2200 mAh (approximately 350 shots) | |
| Dimensions (W x H x D) | 5.45 x 3.95 x 3.92" / 13.84 x 10.03 x 9.96 cm | |
| Weight | 1.8 lb / 823 g (body with battery and memory) 739 g / 1.63 lb (body only) |
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DSLM Micro Four Thirds Interchangeable Lens Camera
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