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515.73 CHF Inc. VAT
Panasonic - Panasonic DC-GH6LE + LUMIX G H-ES12060
Panasonic DC-GH6LE - Panasonic DC-GH6LE + LUMIX G H-ES12060
1052092
5025232920945
DSLM Micro Four Thirds Interchangeable Lens Camera Kit with Leica DG ELMARIT Lens 12-60 mm / F2.8-4.0 KB: 24-120 mm
Visuals Price
2,959.30 CHF
VAT excl.
3,199.00 CHF Inc. VAT
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Panasonic DC-GH6LE - Panasonic DC-GH6LE + LUMIX G H-ES12060
A pioneer of the Micro Four Thirds class, the Panasonic LUMIX G H-ES12060 is a little beast that defies full-frame rivals, a powerful hybrid addition to the video-oriented GH series that offers cutting-edge technology for filmmakers and photographers. The enhanced processing power of the Venus engine enables fast sensor readouts for internal recording of 5.7K 30p in Apple ProRes 422 HQ, FHD 300p and handheld 100MP photos. The GH6 exposes correctly across more than 13 stops, features built-in sensor-shift stabilisation and can be integrated into VariCam footage thanks to its pre-installed V-log image profile. Panasonic has created a premium compact camera that professionals can choose for photography, as a primary tool for independent filmmaking, or as an additional angle on film productions.
Premium imaging platform
High-resolution 25MP sensor, 5.7K video
Completely redesigned, this sensor improves upon its GH series predecessors with new silicon and software technology. It offers an improved dynamic range of over 13 stops despite its reduced cell size due to the increased number of pixels on the Micro Four Thirds sensor. Use a CFexpress Type B card to record Apple Pro Res 422 HQ internally at 5.7K, or the SD slot to capture 4K120p 10-bit footage. The ability to record at high bitrates and unlimited recording time distinguishes this camera from all its predecessors.
For maximum sharpness, the sensor is not hindered by a low-pass filter; it smooths any moiré through the intelligent detail processing of its updated Venus engine. Building on its next-generation image stabilisation, this camera synthesises eight distinct images into a single 100MP image - all without requiring a tripod.
Ultra-fast sensor readout
The Venus engine has twice the power compared to previous generations, enabling continuous shooting at 75 fps or slow-motion footage at variable frame rate (VFR) at 300 fps. Fast sensor readout by the Venus engine limits rolling shutter distortion to keep skyscrapers vertical when shooting from a car mount or to capture slow-motion footage of fast-moving objects.
Stabilisation: in-body, sensor-shift
- In-body 5-axis sensor-shift image stabilisation is achieved using a high-precision gyroscope and stabilisation algorithm. At all focal lengths, this stabilisation technology offers 7.5 stops of variance from the shutter speed dictated by the reciprocity rule.
- Its built-in sensor-shift technology works perfectly with the optical stabilisation of Panasonic lenses. Electronic stabilisation is available for those who accept the slight crop effect it requires. Boost I.S. mode is the most extreme form of electronic stabilisation, simulating a tripod-locked shot.
AF & AE highlights
- Autofocus processing speed has been tripled, powering the 315-zone contrast-based system based on depth from defocus (DFD). The updated algorithm calculates the distance to your subject and predicts whether it is moving towards or away from the camera, anticipating where it will be for the next shot. It works by collecting data from multiple focal planes, then creating a real-time 3D depth map.
- The subject tracking focus system also supports face, eye, head, body and animal recognition. Autofocus automatically switches from body to face then eye recognition as the subject moves closer to the camera for better sharpness.
- Focus limiter, manual focus assist and the updated joystick enable fast, accurate focusing. The AF area is a less intrusive overlay, and face priority in multi-metering prevents unwanted exposure changes.
High-quality professional video with high bitrate
Unlimited latitude
- 5.7K 30p recording is supported in high-quality Apple ProRes 422 HQ/ProRes 422 codecs for visually lossless, high-bitrate images suitable for intensive post-production processing.
- The GH6 supports unlimited recording up to DCI 4K at 60p with 4:2:2 10-bit sampling for impeccable detail and depth in colour rendering.
Preserve over 13 stops of detail
- Shooting in V-Log and V-Gamut will give you 12+ stops of dynamic range, which can be increased to 13+ stops by activating its dual analogue gain circuits with Dynamic Range Boost mode. A circuit using ISO 800 absorbs the richness of the visible spectrum whilst maintaining detail in the highlights, and ISO 2000 captures gradations of black with low noise in the shadows.
- The correctly exposed image is composed once passed through the dedicated image synthesis circuit. This makes it different from a dual native ISO design as you do not select one ISO or the other, but both work in tandem. Dynamic Range Boost mode is available for footage shot up to 60 fps.
Unlimited recording durations
Panasonic recognises the importance of filming long clips and has designed the GH6 to have no maximum recording duration. Extended takes such as interviews and live events can be recorded in their entirety, reducing sync errors and simplifying data management. This is made possible by a fan-based active cooling design that dissipates heat from the sensor.
Intelligent image processing
3D noise reduction is achieved by comparing three sequential images, then automatically removing noise that only appears in one of the three images. Intelligent detail processing eliminates the need for a low-pass filter and smooths fine details such as hair and threads to minimise moiré patterns.
Flat profile & extended colour space
Edit seamlessly with VariCam cameras with accurate colour reproduction and subtle gradations from shadows to highlights. V-log and Hybrid Log Gamma preserve maximum data, leaving your colourist plenty of latitude to shape the aesthetic with creative LUTs. The GH6 supports .CUBE and .VLT formats for real-time V-Log viewing assistance to approximate the final rendering of your deliverable.
Anamorphic versatility
- Record open-gate with the 4:3 sensor for 5.8K 30p 4:2:0 10-bit and 4.4K 60p 4:2:0 10-bit video.
- Store up to 10 anamorphic lenses on the GH6 for quick changes and desqueezed footage ready to view. Images can be desqueezed to cinemascope format. The magnification ratio is also selectable between 1.30x, 1.33x, 1.5x, 1.8x or 2.0x.
- The anamorphic image stabiliser setting is ideal for using an anamorphic lens. To correctly interpret visual information for stabilisation processing, select from 1.30x, 1.33x, 1.5x, 1.8x or 2.0x according to the lens magnification.
Super slow motion
By shooting in high frame rate (HFR) 4K, you can increase your frame rate to 120p, or 1080p will give you 240p to play with. If you can do without an audio track, freeze time with super slow-motion variable frame rate (VFR) footage at 300 fps in FHD 10-bit. Autofocus remains available to actively make changes during recording up to 200 fps.
Instant backup
Simultaneous internal and external recording via the HDMI port extends your redundancy and storage options, particularly useful when shooting live events lasting over an hour. Record at resolutions up to DCI 4K in 17:9 with bit depths up to 4:2:2, 10-bit, and frame rates up to 60p, 50p, 30p, 25p, 24p.
High-fidelity sound
Enhanced audio features enable high-quality audio recording. The GH6 is always ready to capture 48kHz 24-bit with the built-in microphone. Switch to 96kHz 24-bit with an external microphone. For recording interviews with multiple microphones, the HDMI will output 4 channels of audio data.
Control tools & assistants
- The waveform monitor, vectorscope and spot luminance meter provide you with vital information about your levels.
- Time-lapse video capture is customisable for shooting and playback durations, with exposure smoothing.
- Focus transition, frame indicator and frame marker enhance production and post-production workflow.
- The safe area marker, vertical position information, centre marker options and live enlarged display help keep your action properly oriented, centred and in focus.
Firmware updates
To meet customer needs as new technologies emerge, Panasonic plans to release the following firmware updates:
- DCI4K Apple ProRes 422 HQ / Apple ProRes 422
- FHD Apple ProRes 422 HQ / Apple ProRes 422
- Direct USB recording to SSD
- 4K 120p HDMI video output during live view
- 4K 120p HDMI RAW video data output to ATOMOS Ninja V+
Photographic capabilities
Hybrid power
Whilst Lumix is known for its exceptional video production, it excels as a hybrid camera with its 100MP photos, wide dynamic range, 7.5-stop dual image stabilisation and continuous shooting up to 75 fps with electronic shutter.
100MP photos
Image stabilisation technology enables the synthesis of 8 consecutive photos into a single 100MP high-resolution image without using a tripod. Dynamic Range Boost mode is automatically activated in all photo modes.
Sharp detail in low light
Detail is preserved and colour noise is reduced, even when shooting in low-light conditions requiring high ISOs. When conditions are less than ideal, 2D noise reduction gives your photos a more natural and three-dimensional appearance.
Shutter flexibility
Manually select from several shutter modes to suit your needs: a mechanical shutter type, an electronic first-curtain type, an electronic shutter type, an electronic shutter type with noise reduction after a slow-speed shot, or let the camera automatically change the shutter type depending on conditions and shutter speed.
Fast burst for three seconds
Achieve burst shooting at 75 fps (AFS, electronic shutter) whilst maintaining 25.2 megapixels thanks to the GH6's faster sensor readout speed and the superior processing power of the new Venus engine. The high sensor readout speed reduces rolling shutter distortion. Shoot at 75 fps with electronic shutter and AFS or 14 fps with mechanical shutter and AFS. With AFC, you can shoot up to 8 fps with mechanical shutter or 7 fps with electronic shutter.
Ready to share
- Several image profiles are included to save time in editing, including L. Classic Neo, a film-like effect with soft, nostalgic colouration. L. Monochrome S is a black-and-white effect with a soft touch suitable for portraits. Cinelike modes have a film-like finish using a gamma curve to favour dynamic range or contrast.
- For professional control, the flat V-Log profile is available when taking photos. Manually adjust contrast, saturation and sharpness and save it as My Photo Style 1-10 for a detailed profile down to ISO and white balance.
Professional and reliable design
High-definition LCD screen
The 3.0-inch swivelling and tilting LCD screen with 1.84M dots tilts towards the photographer, allowing high- and low-angle shots, as well as positions in tight angles that would otherwise be extremely difficult to frame and focus correctly. It offers high contrast, high brightness and excellent visibility even in direct sunlight. Its intuitive design uses static touch control and features an improved locking mechanism for easier use.
Smart viewfinder
The 3.68M-dot OLED Live View finder offers an equivalent magnification of 0.76x for bright, realistic eye-level control.
CFexpress Type B & SD
Both card slots offer options depending on your recording bitrate. The CFexpress Type B slot is required to record higher bitrate formats such as Apple Pro Res 422 HQ and ALL-Intra 4:2:2 10-bit footage at 800 Mb/s. The SD card slot records bitrates up to 600 Mb/s when using high-performance UHS-II U3 Class 10 SD cards.
Danger: High voltage
The GH6 uses a DMW-BLK22 lithium-ion battery and offers approximately 360 shots per charge.
Weatherproof sub-zero
The GH6 body is designed to withstand precipitation and dust down to -10°C. Despite its weatherproof design, heat dissipation is ensured by an electric fan, heatsink and chassis that dissipates heat from the sensor, processor and memory card.
Ergonomic optimisation
- Spend less time rummaging through digital menus by using its dual dials to find your preferred shooting mode. The camera design incorporates dedicated buttons for key functions such as the enlarged manual focus assist area and the audio information button for quick level adjustments.
- An additional video record button on the front of the GH6 is more accessible when mounted on a shoulder support. The camera is designed to be as compact and lightweight as possible, increasing its compatibility with motorised stabilisers and commercial drones (sold separately).
Wireless & remote control
- To extend the flexibility of data transfers and remote control, wireless options are built into the design. 5GHz Wi-Fi and Bluetooth v5.0 enable the transfer of photos and footage to a mobile phone, which can then be transmitted to a news channel. Camera firmware updates can be performed wirelessly via smartphone.
- Remotely control up to 12 GH6 cameras via the LUMIX Tether app via USB. Adjust settings such as metering mode, recording quality and focus mode, then transfer footage to the computer after recording. When preparing these cameras, save time and reduce errors by using the Lumix SYNC app to wirelessly match recording settings.
Inputs/Outputs
- This camera offers options for connecting to external devices. USB 3.2 Gen2 Type-C enables data transfers at 10Gb/s, powers the camera or charges the battery. The Type-A HDMI port transmits footage to an external recorder, or the accessory shoe connects to an XLR extension device such as the DMW-XLR1 (sold separately).
- A 3.5 mm headphone jack is located on the side of the camera, above the 3.5 mm headphone jack. On the front of the camera, a flash sync socket also serves as a timecode input/output when using the included BNC converter cable.
Premium imaging platform
High-resolution 25MP sensor, 5.7K video
Completely redesigned, this sensor improves upon its GH series predecessors with new silicon and software technology. It offers an improved dynamic range of over 13 stops despite its reduced cell size due to the increased number of pixels on the Micro Four Thirds sensor. Use a CFexpress Type B card to record Apple Pro Res 422 HQ internally at 5.7K, or the SD slot to capture 4K120p 10-bit footage. The ability to record at high bitrates and unlimited recording time distinguishes this camera from all its predecessors.
For maximum sharpness, the sensor is not hindered by a low-pass filter; it smooths any moiré through the intelligent detail processing of its updated Venus engine. Building on its next-generation image stabilisation, this camera synthesises eight distinct images into a single 100MP image - all without requiring a tripod.
Ultra-fast sensor readout
The Venus engine has twice the power compared to previous generations, enabling continuous shooting at 75 fps or slow-motion footage at variable frame rate (VFR) at 300 fps. Fast sensor readout by the Venus engine limits rolling shutter distortion to keep skyscrapers vertical when shooting from a car mount or to capture slow-motion footage of fast-moving objects.
Stabilisation: in-body, sensor-shift
- In-body 5-axis sensor-shift image stabilisation is achieved using a high-precision gyroscope and stabilisation algorithm. At all focal lengths, this stabilisation technology offers 7.5 stops of variance from the shutter speed dictated by the reciprocity rule.
- Its built-in sensor-shift technology works perfectly with the optical stabilisation of Panasonic lenses. Electronic stabilisation is available for those who accept the slight crop effect it requires. Boost I.S. mode is the most extreme form of electronic stabilisation, simulating a tripod-locked shot.
AF & AE highlights
- Autofocus processing speed has been tripled, powering the 315-zone contrast-based system based on depth from defocus (DFD). The updated algorithm calculates the distance to your subject and predicts whether it is moving towards or away from the camera, anticipating where it will be for the next shot. It works by collecting data from multiple focal planes, then creating a real-time 3D depth map.
- The subject tracking focus system also supports face, eye, head, body and animal recognition. Autofocus automatically switches from body to face then eye recognition as the subject moves closer to the camera for better sharpness.
- Focus limiter, manual focus assist and the updated joystick enable fast, accurate focusing. The AF area is a less intrusive overlay, and face priority in multi-metering prevents unwanted exposure changes.
High-quality professional video with high bitrate
Unlimited latitude
- 5.7K 30p recording is supported in high-quality Apple ProRes 422 HQ/ProRes 422 codecs for visually lossless, high-bitrate images suitable for intensive post-production processing.
- The GH6 supports unlimited recording up to DCI 4K at 60p with 4:2:2 10-bit sampling for impeccable detail and depth in colour rendering.
Preserve over 13 stops of detail
- Shooting in V-Log and V-Gamut will give you 12+ stops of dynamic range, which can be increased to 13+ stops by activating its dual analogue gain circuits with Dynamic Range Boost mode. A circuit using ISO 800 absorbs the richness of the visible spectrum whilst maintaining detail in the highlights, and ISO 2000 captures gradations of black with low noise in the shadows.
- The correctly exposed image is composed once passed through the dedicated image synthesis circuit. This makes it different from a dual native ISO design as you do not select one ISO or the other, but both work in tandem. Dynamic Range Boost mode is available for footage shot up to 60 fps.
Unlimited recording durations
Panasonic recognises the importance of filming long clips and has designed the GH6 to have no maximum recording duration. Extended takes such as interviews and live events can be recorded in their entirety, reducing sync errors and simplifying data management. This is made possible by a fan-based active cooling design that dissipates heat from the sensor.
Intelligent image processing
3D noise reduction is achieved by comparing three sequential images, then automatically removing noise that only appears in one of the three images. Intelligent detail processing eliminates the need for a low-pass filter and smooths fine details such as hair and threads to minimise moiré patterns.
Flat profile & extended colour space
Edit seamlessly with VariCam cameras with accurate colour reproduction and subtle gradations from shadows to highlights. V-log and Hybrid Log Gamma preserve maximum data, leaving your colourist plenty of latitude to shape the aesthetic with creative LUTs. The GH6 supports .CUBE and .VLT formats for real-time V-Log viewing assistance to approximate the final rendering of your deliverable.
Anamorphic versatility
- Record open-gate with the 4:3 sensor for 5.8K 30p 4:2:0 10-bit and 4.4K 60p 4:2:0 10-bit video.
- Store up to 10 anamorphic lenses on the GH6 for quick changes and desqueezed footage ready to view. Images can be desqueezed to cinemascope format. The magnification ratio is also selectable between 1.30x, 1.33x, 1.5x, 1.8x or 2.0x.
- The anamorphic image stabiliser setting is ideal for using an anamorphic lens. To correctly interpret visual information for stabilisation processing, select from 1.30x, 1.33x, 1.5x, 1.8x or 2.0x according to the lens magnification.
Super slow motion
By shooting in high frame rate (HFR) 4K, you can increase your frame rate to 120p, or 1080p will give you 240p to play with. If you can do without an audio track, freeze time with super slow-motion variable frame rate (VFR) footage at 300 fps in FHD 10-bit. Autofocus remains available to actively make changes during recording up to 200 fps.
Instant backup
Simultaneous internal and external recording via the HDMI port extends your redundancy and storage options, particularly useful when shooting live events lasting over an hour. Record at resolutions up to DCI 4K in 17:9 with bit depths up to 4:2:2, 10-bit, and frame rates up to 60p, 50p, 30p, 25p, 24p.
High-fidelity sound
Enhanced audio features enable high-quality audio recording. The GH6 is always ready to capture 48kHz 24-bit with the built-in microphone. Switch to 96kHz 24-bit with an external microphone. For recording interviews with multiple microphones, the HDMI will output 4 channels of audio data.
Control tools & assistants
- The waveform monitor, vectorscope and spot luminance meter provide you with vital information about your levels.
- Time-lapse video capture is customisable for shooting and playback durations, with exposure smoothing.
- Focus transition, frame indicator and frame marker enhance production and post-production workflow.
- The safe area marker, vertical position information, centre marker options and live enlarged display help keep your action properly oriented, centred and in focus.
Firmware updates
To meet customer needs as new technologies emerge, Panasonic plans to release the following firmware updates:
- DCI4K Apple ProRes 422 HQ / Apple ProRes 422
- FHD Apple ProRes 422 HQ / Apple ProRes 422
- Direct USB recording to SSD
- 4K 120p HDMI video output during live view
- 4K 120p HDMI RAW video data output to ATOMOS Ninja V+
Photographic capabilities
Hybrid power
Whilst Lumix is known for its exceptional video production, it excels as a hybrid camera with its 100MP photos, wide dynamic range, 7.5-stop dual image stabilisation and continuous shooting up to 75 fps with electronic shutter.
100MP photos
Image stabilisation technology enables the synthesis of 8 consecutive photos into a single 100MP high-resolution image without using a tripod. Dynamic Range Boost mode is automatically activated in all photo modes.
Sharp detail in low light
Detail is preserved and colour noise is reduced, even when shooting in low-light conditions requiring high ISOs. When conditions are less than ideal, 2D noise reduction gives your photos a more natural and three-dimensional appearance.
Shutter flexibility
Manually select from several shutter modes to suit your needs: a mechanical shutter type, an electronic first-curtain type, an electronic shutter type, an electronic shutter type with noise reduction after a slow-speed shot, or let the camera automatically change the shutter type depending on conditions and shutter speed.
Fast burst for three seconds
Achieve burst shooting at 75 fps (AFS, electronic shutter) whilst maintaining 25.2 megapixels thanks to the GH6's faster sensor readout speed and the superior processing power of the new Venus engine. The high sensor readout speed reduces rolling shutter distortion. Shoot at 75 fps with electronic shutter and AFS or 14 fps with mechanical shutter and AFS. With AFC, you can shoot up to 8 fps with mechanical shutter or 7 fps with electronic shutter.
Ready to share
- Several image profiles are included to save time in editing, including L. Classic Neo, a film-like effect with soft, nostalgic colouration. L. Monochrome S is a black-and-white effect with a soft touch suitable for portraits. Cinelike modes have a film-like finish using a gamma curve to favour dynamic range or contrast.
- For professional control, the flat V-Log profile is available when taking photos. Manually adjust contrast, saturation and sharpness and save it as My Photo Style 1-10 for a detailed profile down to ISO and white balance.
Professional and reliable design
High-definition LCD screen
The 3.0-inch swivelling and tilting LCD screen with 1.84M dots tilts towards the photographer, allowing high- and low-angle shots, as well as positions in tight angles that would otherwise be extremely difficult to frame and focus correctly. It offers high contrast, high brightness and excellent visibility even in direct sunlight. Its intuitive design uses static touch control and features an improved locking mechanism for easier use.
Smart viewfinder
The 3.68M-dot OLED Live View finder offers an equivalent magnification of 0.76x for bright, realistic eye-level control.
CFexpress Type B & SD
Both card slots offer options depending on your recording bitrate. The CFexpress Type B slot is required to record higher bitrate formats such as Apple Pro Res 422 HQ and ALL-Intra 4:2:2 10-bit footage at 800 Mb/s. The SD card slot records bitrates up to 600 Mb/s when using high-performance UHS-II U3 Class 10 SD cards.
Danger: High voltage
The GH6 uses a DMW-BLK22 lithium-ion battery and offers approximately 360 shots per charge.
Weatherproof sub-zero
The GH6 body is designed to withstand precipitation and dust down to -10°C. Despite its weatherproof design, heat dissipation is ensured by an electric fan, heatsink and chassis that dissipates heat from the sensor, processor and memory card.
Ergonomic optimisation
- Spend less time rummaging through digital menus by using its dual dials to find your preferred shooting mode. The camera design incorporates dedicated buttons for key functions such as the enlarged manual focus assist area and the audio information button for quick level adjustments.
- An additional video record button on the front of the GH6 is more accessible when mounted on a shoulder support. The camera is designed to be as compact and lightweight as possible, increasing its compatibility with motorised stabilisers and commercial drones (sold separately).
Wireless & remote control
- To extend the flexibility of data transfers and remote control, wireless options are built into the design. 5GHz Wi-Fi and Bluetooth v5.0 enable the transfer of photos and footage to a mobile phone, which can then be transmitted to a news channel. Camera firmware updates can be performed wirelessly via smartphone.
- Remotely control up to 12 GH6 cameras via the LUMIX Tether app via USB. Adjust settings such as metering mode, recording quality and focus mode, then transfer footage to the computer after recording. When preparing these cameras, save time and reduce errors by using the Lumix SYNC app to wirelessly match recording settings.
Inputs/Outputs
- This camera offers options for connecting to external devices. USB 3.2 Gen2 Type-C enables data transfers at 10Gb/s, powers the camera or charges the battery. The Type-A HDMI port transmits footage to an external recorder, or the accessory shoe connects to an XLR extension device such as the DMW-XLR1 (sold separately).
- A 3.5 mm headphone jack is located on the side of the camera, above the 3.5 mm headphone jack. On the front of the camera, a flash sync socket also serves as a timecode input/output when using the included BNC converter cable.
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|
Specifications |
|
| Imaging | ||
| Lens mount | Micro Four Thirds | |
| Sensor type | 17.3 x 13 mm (Four Thirds) MOS | |
| Sensor resolution | Actual: 26.52 megapixels Effective: 25.2 megapixels (5776 x 4336) |
|
| Crop factor | 2x | |
| Image format | 1:1, 3:2, 4:3, 16:9 | |
| Image file format | JPEG, Raw | |
| Bit depth | 10-bit | |
| Image stabilisation | Sensor-shift stabilisation, 5-axis | |
| Exposure control | ||
| Shutter speed | Electronic first curtain shutter 1/2000 to 60 seconds Up to 30 minutes in Bulb mode Electronic shutter 1/32000 to 1 second up to 60 seconds in Bulb mode 1/25000 to 1/8 second in video mode |
|
| Metering method | Centre-weighted average, Highlight-weighted, Multi, Spot | |
| Exposure modes | Aperture priority, Manual, Programme, Shutter priority | |
| Exposure compensation | -5 to +5 EV (in 1/3 EV increments) | |
| Metering range | 0 to 18 EV | |
| Continuous shooting | Mechanical shutter Up to 14 fps for up to 65 images (Raw) / 95 images (JPEG) Electronic shutter Up to 75 fps for up to 200 images (Raw) / 200 images (JPEG) |
|
| Time-lapse recording | Yes | |
| Self-timer | 2/3/10 second self-timer | |
| Video | ||
| Recording modes | H.264/MOV/MPEG-4 AVC/ProRes 422 HQ 4:2:2 10-bit 5728 x 3024 at 29.97p [1900 Mb/s] 5728 x 3024 at 23.98p/24.00p [1500 Mb/s] 5728 x 3024 at 25p [1600 Mb/s] H.264/MOV/MPEG-4 AVC/ProRes 422 4:2:2 10-bit 5728 x 3024 at 29.97p [1300 Mb/s] 5728 x 3024 at 25p [1100 Mb/s] 5728 x 3024 at 23.98p/24.00p [1000 Mb/s] H.264 ALL-Intra/MOV 4:2:2 10-bit 4096 x 2160 at 47.95p/50p/59.94p [600 to 800 Mb/s] 4096 x 2160 at 23.98p/24.00p/25p/29.97p [400 Mb/s] 3840 x 2160 at 47.95p/50p/59.94p [600 to 800 Mb/s] 3840 x 2160 at 23.98p/24.00p/25p/29.97p [400 Mb/s] 1920 x 1080 at 200p/239.76p [800 Mb/s] 1920 x 1080 at 100p/119.88p [400 Mb/s] 1920 x 1980 at 23.98p/24.00p/25p/29.97p/47.95p/50p/59.94p [200 Mb/s] 1920 x 1080 at 50i/59.94i [100 Mb/s] H.264 Long GOP/MOV/MPEG-4 AVC 4:2:2 10-bit 4096 x 2160 at 50p/59.94p [200 Mb/s] 4096 x 2160 at 47.95p [200 Mb/s] 4096 x 2160 at 23.98p/24.00p/25p/29.97p [150 Mb/s] 3840 x 2160 at 47.95p/50p/59.94p [200 Mb/s] 3840 x 2160 at 23.98p/24.00p/25p/29.97p [150 Mb/s] 1920 x 1080 at 200p/239.76p [200 Mb/s] 1920 x 1080 at 100p/119.88p [150 Mb/s] 1920 x 1080 at 23.98p/24.00p/25p/29.97p/47.95p/50p/59.94p [100 Mb/s] 1920 x 1080 at 59.94i [50 Mb/s] H.265 Long GOP/MOV 4:2:0 10-bit 5760 x 4320 at 23.98p/24.00p/25p/29.97p [200 Mb/s] 5728 x 3024 at 47.95p/48.00p/50p/59.94p [300 Mb/s] 5728 x 3024 at 23.98p/24.00p/25p/29.97p [200 Mb/s] 4352 x 3264 at 47.95p/48.00p/50p/59.94p [300 Mb/s] 4096 x 2160 at 100p/119.88p [300 Mb/s] 4096 x 2160 at 47.95p/50p/59.94p [200 Mb/s] 4096 x 2160 at 23.98p/24.00p/25p/29.97p [150 Mb/s] 3840 x 2160 at 100p/119.88p [300 Mb/s] 3840 x 2160 at 47.95p/50p/59.94p [200 Mb/s] 3840 x 2160 at 23.98p/24.00p/25p/29.97p [150 Mb/s] 3840 x 2160 at 23.98p/25p/29.97p/50p/59.94p [100 Mb/s] 3840 x 2160 at 23.98p/25p/29.97p [72 Mb/s] 1920 x 1080 at 200p/239.76p [200 Mb/s] 1920 x 1080 at 100p/119.88p [150 Mb/s] 1920 x 1080 at 23.98p/24.00p/25p/29.97p/47.95p/50p/59.94p [100 Mb/s] 1920 x 1080 at 50p/59.94p [28 Mb/s] 1920 x 1080 at 25p/29.97p [20 Mb/s] 1920 x 1080 at 23.98p [24 Mb/s] |
|
| External recording modes | 4:2:2 10-bit via HDMI DCI 4K (4096 x 2160) at 50p/59.94p UHD 4K (3840 x 2160) at 50p/59.94p |
|
| Recording limit | Unlimited for DCI 4K (4096 x 2160) at 59.94p (4:2:2 10-bit) | |
| Focus | ||
| Focus type | Autofocus and manual focus | |
| Focus mode | Automatic, Continuous AF, AF area lock, Manual focus, Single-point AF, Touch AF and trigger | |
| Autofocus points | Photo, Video Contrast detection: 315 |
|
| Viewfinder | ||
| Type | Built-in electronic (OLED) | |
| Resolution | 3,680,000 dots | |
| Eye point | 21 mm | |
| Magnification | Approximately 100x | |
| Dioptre adjustment | -4 to +3 | |
| Screen | ||
| Size | 3" | |
| Resolution | 1,840,000 dots | |
| Screen type | Multi-angle tilting touchscreen LCD | |
| Flash | ||
| Built-in flash | No | |
| Maximum sync speed | 1/250 second | |
| Flash compensation | -3 to +3 EV (in 1/3 EV increments) | |
| Dedicated flash system | TTL | |
| External flash connection | Accessory shoe | |
| Interface | ||
| Memory card slot/support | Slot 1: CFexpress Type B Slot 2: SD/SDHC (UHS-II) [U3/V30 or faster recommended] |
|
| Environment | ||
| Operating temperature | -10 to 40°C / 14 to 104°F | |
| Storage humidity | 10 to 80% | |
| Physical | ||
| Battery type | 1 x DMW-BLK22 rechargeable lithium-ion, 7.2 VDC, 2200 mAh (approximately 350 shots) | |
| Dimensions (W x H x D) | 5.45 x 3.95 x 3.92" / 13.84 x 10.03 x 9.96 cm | |
| Weight | 1.8 lb / 823 g (Body with battery and memory card) 1.63 lb / 739 g (Body only) |
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DSLM Micro Four Thirds Interchangeable Lens Camera Kit with Leica DG ELMARIT Lens 12-60 mm / F2.8-4.0 KB: 24-120 mm
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